The Newly Discovered Story Of Rock & Roll

Additions to the site have been a little infrequent of late which is to be expected at this stage of my collecting but that doesn’t mean I’m not still on the hunt. These days however the focus is more on acetates, test pressings and the like.

Recently I stumbled across an acetate that the seller didn’t seem all that interested in and seemingly neither did other collectors which struck me as a bit odd but hey, that kept the price way down so it was worth a gamble. That gamble paid off.

The Story Of Rock And Roll Acetate

The label clearly stated the track as “The Story of Rock & Roll”. On one side a vocal and on the other, the musical backing track. Before giving it a spin I fully expected it to be the version found on New Nilsson Songs but as it began to play something was different. After listening to it all the way through I was convinced this was an alternate take but to be very sure I put on my copy of New Nilsson Songs and sure enough it was different.

I reached out to the seller asking how he had come to acquire the acetate. He informed me had met the daughter of legendary producer/engineer Larry Cox after he had passed away and had purchased part of his collection. With this information I began trying to track down Larry’s daughter. It turns out Larry had two daughters and after making contact with Julie, I was put in touch with Gina who informed me she also had several Nilsson reels but the labels were barely legible and they were so damaged they could’t be played so had been disposed of. Argh! Still, I had this acetate and after I made a digital transfer I sent a copy to Harry’s son Kiefo who confirmed it wasn’t a version he’d ever heard before either.

If you’ve never heard the original version of Story of Rock & Roll, point your mouse here and to hear the newly discovered acetate version click here. As Kiefo remarked, “real deep cut stuff”.

Adventures in Record Collecting

Ah, adventures in record collecting. You do the research, you hunt, you stretch the limits of your own patience and determination and then of course there are the many hurdles to overcome if your purchase is made online. Will the record arrive as described? Will it arrive at all? One never knows but hopes for the best.

Recently I stumbled across what appeared to be a decent copy of a Dutch 7” pressing of Nilsson’s All I Think About Is You / Old Bones on a Dutch web site.

Nilsson All I Think About Is You / Old Bones

A few emails back and forth and I proceeded with the purchase. Upon payment I sent a note to the seller just making sure they’d remove the record from the sleeve prior to shipment. Most sellers know to do this in order to avoid the disc slicing through the sleeve or cover during transit. I’m usually a little hesitant to mention it as it can be a bit insulting to a seasoned record seller but if I’ve never purchased from the seller before, it’s a common sense move. On this occassion the seller assured me he’d sent hundreds of records and never had a single complaint. You can see where this is going.

The packaged arrived in a record mailer designed for the shipment of 45s. That was a pretty good sign. What was not such a good sign was the sound of the record sliding around inside. The seller had not removed the record, had not added any stiffeners, had not placed the record and sleeve in a protective outer sleeve or anchored it in any way to the interior of the mailer. The bottom of the sleeve was of course split. Thankfully not too terribly bad but it could have easily been avoided. When I contacted the seller to let him know the record arrived (a courtesy I extend to anyone I buy from) I let him know about the damage and the disappointment I felt especially as I’d specifically asked him to remove the record. His response was that he was sorry but he’d already packed the record when he received my request. Hardly an excuse – especially as “packing” involved dropping everything in a box and adding a piece of tape but there you go.

I’ve written up a detailed article on how to clean records and now I’m thinking I might need to write up a tutorial on how to ship records. Still, it’s all part of the adventure of record collecting.

Portuguese Nilsson Miss Match

Another Nilsson Portuguese pressing found its way into the collection recently. One of those strange cases where the tracks and the cover art don’t match up. One assumes RCA decided the imagery of Nilsson Schmilsson would be more successful despite the tracks coming off Son Of Schmilsson.

Phonogram Flashing Flash Harry

A nice piece of Nilssonian ephemera recently added to the archives here. A full transcription follows beneath the images …

HARRY NILSSON is one of the most highly regarded songwriters and vocalists in contemporary music.

At the now legendary 1968 Press conference for the opening of the Beatles’ Apple Records, John Lennon was asked to name his favourite singer. He replied, “Nilsson.” Paul McCartney, in turn, was asked his favourite group. “Nilsson” was again the answer. Although he had only done one album at the time, “Pandemonium Shadow Show” Nilsson had established a tremendous reputation among his musical peers that would grow into a large popular following through the late 60’s and 70’s.
Eighteen albums later, he has won countless gold and platinum records, two Grammy Awards as Best Male Vocalist and a list of every major award in the recording industry.

Recently, he signed a new long-term recording deal with Phonogram International and his first Mercury album, “Flash Harry” is due for release in early September. A single, “I Don’t Need You” will be issued at the same time.

Harry Edward Nilsson was born in Brooklyn, New York in 1941 and moved to southern California as an adolescent. He dropped out of high school, and after a hitch-hiking sojourn, and job as an usher/assistant manager in a movie theatre, took a job in a San Fernando Valley Bank. By the mid 60’s he had become a supervisor of the night shift in the bank’s computer processing department.

By day, he wrote songs, earned extra money singing radio commercials, recorded demos and pursued record producers. He sold his first song, “Travellin’ Man,” for $5 to the New Christy Minstrels who made a chart hit of it. His first big break came in 1967 when he met dynamic record producer Phil Spector who bought three of his songs – “Paradise” and “Here I Sit,” two Ronette hits, and “This Could Be The Night” a chart success by the short-lived group MFQ.
cont’d …..

HARRY NILSSON Page 2

During this time, he also played background piano at the Spector sessions.

That same year, Harry was signed to a long-term contract by RCA Records, and within a year had produced, performed and written song of the songs for two albums. Critically successful the albums, “Pandemonium Shadow Show” and “Aerial Ballet” (a title he took from the name of his grandparents’ circus act,) sold moderately. However, every Nilsson song on these albums was covered by a major artist. When astronaut Gordon Armstrong took his first step on the moon, the Three Dog Night version of his “One” was the number one record in the U.S.

At the height of the early 70’s acid-metal rock craze, Harry recorded three albums in London, “Nilsson Schmilsson,” “Son Of Schmilsson,” and “A Little Touch Of Schmilsson In The Night.” These albums continue to sell world-wide. Other albums include “Harry;” “Nilsson Sings Newman;””Duit On Mon Dei;” “Sandman;” “Pussy Cats;” “Knnillsson;” “Son Of Dracula;” “The Way It Is;” “Aerial Pandemonium Ballet;” “Night After Night.”

In films, Harry is probably best known for his rendition of Fred Nell’s “Everybody’s Talkin'” in “Midnight Cowboy.” Ironically, Harry’s own song ” I Guess The Lord Must Be In New York City” was in competition for the movie’s theme. The song became a hit single on its own in 1970.

Films scored by Harry Include Otto Preminger’s “Skidoo,” with Jackie Gleason and Groucho Marx, and “Jenny” with Marlo Thomas and Alan Alda. In both cases the films received far less praise than the music. In 1969, he also wrote the song score to TV’s “The Courtship of Eddie’s Father.”

In 1971, Harry wrote the script and music for the only animated feature-length film for television, “The Point,” which Dustin Hoffman narrated. Harry, subsequently, adapted the story for the stage, performing it with Arthur Fielder in Boston and its two seasons in London’s Mermaid Theatre broke box office records, won one award and was nominated for another. “The Point” is

cont’d …….

HARRY NILSSON Page 3

now in preparation for a Broadway run.

Also on its way to Broadway (opening on September 17) is “Zapata,” a musical featuring a 12-song score co-written by Harry including the song “A Wedding” already a European hit by Demis Roussos.

Looking to the future, Harry wants gradually to phase out his successful recording career to concentrate on plays, films and novels. He has already started work on a musical adaptation of the “Blondie” comic strip and is producing recordings by Frank Stallone (brother of Sylvester.)

Harry lives with his Irish-born wife Una and sons Beau and Ben in the Bel Air district of California.

His most recent musical experience was supervising the recording of the songs he has penned for Robert Altman’s live action musical “Popeye” which stars Robin ‘Mork’ Williams in the title role and Shelley Duvall as Olive Oyl.

“Flash Harry” (a title culled from the Harry Flashman books) is Nilsson’s first Mercury album. It features five Nilsson compositions (including”Old Dirt Road” which he co-wrote with John Lennon.) Produced by Steve Cropper of Booker T & The MGs fame the backing musicians include Donald “Duck” Dunn of the same group and Ringo Start. Eric Idle and Charlie Dore make guest appearances on the album singing Idle’s title song “Harry.”

HARRY NILSSON
“FLASH HARRY” LP Mercury 6302 022

“I Don’t Need You”/”It’s So Easy” Single Mercury MER 40 Both released September 5 1980.

August 1980. More information : NORMAN DIVALL.